List of Compositions

  • The Persistence of Time and Memory—2021-2023, stereo fixed media, 53:30″
    • 1) And Time Unfolds Like a Flower (8:35″)
    • 2) Tightly Wound (7:35″)
    • 3) Toward the Event Horizon (9:01″)
    • 4) Ripples in the Fabric of Space-Time (7:50″)
    • 5) Bang, Crunch, Bounce (9:00″)
    • 6) The Entropy of Memory (11:25″)
  • The Entropy of Memory—2023, stereo fixed media, 11:25″
  • Bang, Crunch, Bounce—2023, stereo fixed media, 9:00″
  • Ripples in the Fabric of Space-Time—2022, stereo fixed media, 7:50″
  • Toward the Event Horizon—2022, stereo fixed media, 9:01″
  • Tightly Wound—2022, stereo fixed media, 7:35″
  • And Time Unfolds Like a Flower—2021, stereo fixed media, 8:35″
  • and sometimes wind from the south—2020, stereo fixed media, 8:20″
  • When Left to His Own Devices—2018, stereo fixed media, 8:40″
  • Where Lines and Curves are Scattering—2017, flute and piano, 11:00″
  • Spinning Silence in the Possible Blue—2016, string quartet, 11:45″
  • Illusory Lines—2015, 8-channel fixed media, 10:48″
  • Guitar Conduction #1: Taut Steel—2013, for electric guitar, effects and fixed media, 11:00″
  • Bebop in the Forest of Lonely Rhythms—2011–2012, for flute and interactive electronics, circa 13:30″
  • Inside a Cloud of Butterflies—2011, for guitar and interactive electronics, 11:30″
  • Turbulent Blue—2009, for stereo tape, 9:25″
  • Harlem Strut Fantasy—2008, for two pianos, four hands, 5:30”
  • objet sonore/objet cinétique—2007, for stereo tape, 11:37″
  • Just After the Rain—2006, for stereo tape, 10:46″
  • Anger Stone—2006, collaborative work for Digital Video (by Dave Ryan) and stereo tape, 5:37″
  • Gerry Rigged—2004, for clarinet and live electronics, circa 12:00″
  • Make Noise!—2003, for children’s chorus (two part) and piano, 5:00″
  • l’Horloge imaginaire—2002, for 8-channel tape, 10:30″
  • Dhoormages—2001, for stereo tape, 6:48″
  • Scatter—2000, for 8-channel tape, 8:48″
  • Flights of Fancy—1999, for fireworks and stereo tape, 6:45″
  • Other Terrains—1998, for percussion quartet and stereo tape, 12:02″
  • On The Porch—1998, for chorus, piano and strings, 14:04″
  • the rain has a slap and a curve—1997, for stereo tape, 8:24″
  • A Chris Mann Mambo—1996, for stereo tape, 1:05″
  • Fantasies and Flourishes—1995, for Solo Disklavier and orchestra (2222 4221 88654 2 perc), 14:00″
  • Deum laudent, o Maria, Pro te Virgo puerpera—1994, for a cappella chorus, 10:00″
  • They Wash Their Ambassadors in Citrus and Fennel—1994, for mezzo-soprano and stereo tape, 12:40″
  • abstractions—1993, for double bass, piano and optional signal processor, 14:00″
  • Into the Fury—1993, for double bass, 10:00″
  • Bauxite Dreams—1992, for stereo tape, 8:20″
  • Shifting Ground—1992, for real-time stereo installation, indeterminant duration
  • Suspensions—1992, rev. 2014, for chamber orchestra (2220 2220 66442), 6:00″
  • Waves of Refraction—1992, for guitar and stereo tape, 7:55″
  • Les trois réflexions—1991, for viola and piano duo, 11:00″
  • Six études brèves—1990, for violoncello and stereo tape, 12:49″
  • Lament—1989, for English horn and stereo tape, 4:50″
  • Concerto Variations—1988, forr chamber orchestra (1111 1100 1111), 12:30″
  • Chamber Symphony—1987, for chamber orchestra (0101 0000 11111 perc. Pf), 22:30″
  • In The Shadows—1987, for stereo tape, 5:00″
  • Resonances—1986, for piano quintet and stereo tape, 18:00″
  • Small Song—1985, for a cappella chorus, 8:00″
  • Three for Three—1985, for woodwind trio (fl, cl, bn), 9:00″
  • Fantasy and Song—1984, for piano, 5:00″
  • Passing Time—1984, for tenor sax, actor and stereo tape, 6:30″
  • Creation—1983, for soprano, narrator, and concert band, 22:00″
  • Random Reflections—1982, for pf, perc, tenor sax, ww, brass, and live electronics, 6:45″
  • Subliminal Forethought of Summer’s Haze—1982, for euphonium, tenor sax, bn, pf, vibraphone, 8:00″
  • Three Reference Songs for Tenor—1980, for tenor and piano, 9:00″